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Paper 1, Variant 1, Oct Nov 2021 | Cambridge AS - A Level Drama (9482) Past Papers

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1. Direction techniques for achieving audience response and conveying character relationships, such as Ferdinand and Prospero in The Tempest or Jeffrey Skilling and Claudia Roe in Enron.
2. Performance methods for interpreting characters, including Willy in Death of a Salesman, Medea in Medea, or Siobhan in The Curious Incident of the Dog in the Night-Time.
3. Design elements, including set, lighting, and costume, to support dramatic action and character portrayal in The Lion and the Jewel or Snow in Midsummer.
4. Depiction of themes like rivalry, comedy, or ruthlessness, focusing on roles such as Tartuffe in Tartuffe or Mariane in The Seagull.
5. Character relationships and dynamics through direction, such as Masha and Medvedenko in The Seagull or Christopher and Mrs. Alexander in The Curious Incident of the Dog in the Night-Time.
6. Conveying authority, status, or hypocrisy through staging and design in roles like Ken Lay in Enron or Baroka in The Lion and the Jewel.

Laura Bellini

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