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1. Direction techniques to create dramatic openings or climaxes, such as the storm and calm in The Tempest or the climax in The Lion and the Jewel.
2. Performance approaches for interpreting characters’ emotions and relationships, including Willy’s present and past in Death of a Salesman or Claudia Roe’s bitterness in Enron.
3. Design elements like costumes, projections, and sound to enhance themes and character traits, including Arkadina’s costumes in The Seagull or projections in The Curious Incident of the Dog in the Night-Time.
4. Creating tension or humor through direction, such as Medea’s manipulation in Medea or Dorine’s comedic interference in Tartuffe.
5. Emphasizing character relationships through direction, such as Handsome and Rocket in Snow in Midsummer or Skilling and Roe in Enron.
6. Highlighting character dynamics through set, costume, and atmosphere, such as Baroka’s power in The Lion and the Jewel or ghostly elements in Snow in Midsummer.