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1. Performing ANTONIO or directing suspenseful moments in The Tempest (Act 2, Scene 1) to emphasize character traits and tension.
2. Exploiting comedic opportunities or conveying ALITHEA’s frustration with SPARKISH in The Country Wife (Act 3, Scene 2).
3. Highlighting BEN’s ‘other-worldly’ traits or designing costumes and accessories for Death of a Salesman (Act 1) to reflect WILLY’s perceptions.
4. Showcasing BAROKA’s cunning or directing the combative relationship with SIDI in The Lion and the Jewel (Night scene, pp. 45–49).
5. Performing CLAUDIA ROE’s contempt for JEFFREY SKILLING or illustrating KEN LAY’s dominance in Enron (Act 1, Scene 3).
6. Depicting horror, absurdity, or contrasting relationships through acting, design, and direction in plays like Medea, Tartuffe, The Seagull, The Curious Incident of the Dog in the Night-Time, and Snow in Midsummer.

Laura Bellini
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